Evolution of Human Figure in Sculpture Essay Example for Free

Evolution of Hu humanity Figure in Sculpture strainDepiction of humans figures have dramatically changed through time. It was in mold that human physical dimensions were visibly illustrated. There have been many variations of the human body shown from the prehistoric to the modern period. In this research, three sculpture namely statute of Gilgamesh, the Moschophoros and the statue of Augustus of starring(predicate) Porta will be used to trace the progression of the human body. Gilgamesh was the main character in the Epic of Gilgamesh wherein he was portrayed as one-half god and half human. His personality was the re cave ination of all the virtues of humans. In the statue, Gilgamesh was shown holding a lion in a headlock shoes wherein his arm was protected by the chain-mail robe (Gilmore Ancient Sumeria). Meanwhile, the other hand was gripping a snake. These portrayals symbolized Gilgameshs warrior and imperial status. The body was irregularly depicted because of the disp roportion of the upper and lower body. The torso seemed intentionally elongated making the stem line looked low. However, since the statue is an example of a Gargantuan statue, they type of perspective would make a difference in the alteration of the figures proportions (Gilmore Ancient Sumeria). The Calf-bearer or the Moschoporos is the interpretation of a Greek specifically a rich Attican who was closely to sacrifice a calf as an offering to the goddess Athena. The figure was clothed with a thin vest that outlined the structure of the body resulting to a partially nude sculpture. The animal was put around the figures shoulders with his detainment clutched on the hooves. More so, muscular details were evident in the abdomen area. Many details were present on the face of the human figure. The curls of his hair took the shape of pearls or corals that framed his forehead while a closed small mouth with a curved beard and deep-set eyes accented the complete face (Atlantis Internat ional The Acropolis Museum). The statue of Augustus of Prima Porta mutual oppositionified Augustus military supremacy. Historically, the statue was believed to be created as a sign of the commemoration of the triumph of the Romans against the Parthians. Un exchangeable other Roman leaders, Augustus was depicted as a mere man and not the traditional deified god (Ramage Historical Reflection on the Statue ). The head of the statue contained details that were very perceptible such as the broad head with a Primaporta styled hair, full close mouth, keen ridged eyebrows, hushed round chin and pointed nose highlighted. The breastplate with intricate graphical details and the hand in an proficient position signified his authority. Meanwhile, the presence of the robe suggested the godliness of Augustus and the cupid riding a dolphin emphasized the theological system of the founder of Venus and Italy namely the Julian family to Aeneas (Ramage Description of the Statue). Among the three s culpture, the Roman portrait of Augustus was the most be in terms of human form. It exactly depicted the human characteristics from top to bottom. The statue of Gilgamesh and the Calf-bearer have some distortions in the body image making it look disfigured. In the statue of Augustus, it had a sense of movement while the statue of Gilgamesh and the Calf-bearer appeared stiff. Also, the Gilgamesh lacked the three-dimensionality because of the awkward position of the legs and arms while the Calf-bearer compared to the former achieved more proportion because of the smooth construction of the muscles in the body. It is evident that from the Archaic period to the time of the Romans, human figure developed from a god-like depiction like the Gilgamesh to a more real person represented by Augustus. However, the concept of the sanctity of gods and goddesses were prevalent in the three sculptures. Overall, the sculptures showed the progress in depicting the human body from being disproportion ate to a blameless formation of the shape and movement of the whole body.Works CitedGlimore, Tom. Ancient Sumeria.1999. T Byron G Publishing. 27 abut 2008 http//www.anticipation.info/texte/gilmore/Tom %20Gilmore/www.tomgilmore.com/sumeria.htm.Ramage. Description of the Statue. (October 2005). The Statue of Augustus of Prima Porta http//web.mit.edu/21h.402/www/primaporta/description/.Ramage. Historical Reflection on the Statue. (October 2005). The Statue of Augustus of Prima Porta http//web.mit.edu/21h.402/www/primaporta/context/reflection/.The Acropolis Museum. (2006). Atlantis International. 27 March 2008 http//madeinatlantis.com/athens/acropolis_museum.htm.